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“I had this big political speech planned - the politics of what we were doing, and why. “The sex scene wasn’t in the script, but I approached Ryan and Reed, who are both young and openly gay,” he said. The filmmaker immediately had the support of his actors in moving forward with the scene. “I wanted to see that, to create that - two guys making love.”
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“I was popping my cherry with filming sex because I was thinking, ‘How often do you see a gay couple making love on the screen?,’ he said. It’s the most choreographed piece in the film.”īrown spoke at length about the decision to include a sex scene in “Five Dances.” “What I discovered in shooting it was that I was more uncomfortable than anyone else,” he said. “We were clear about the sex being part of the dance - it was shot like that.”ĭespite this clarity of vision, the scene was challenging for Brown. “The film was about their bodies and their physicality,” he explained. He candidly discussed the logistics of this. One of the compelling ways in which dance is shown to communicate feeling comes in a highly erotic scene between Chip and Theo, which was the first time Brown shot two men making love for a film. There were scenes we shot, but we cut them and substituted dance because it told the story in a much better way.” We approached it as movement, action, and narrative. “Dance took precedence the narrative was secondary. “Once we started getting into the dance, that’s all we wanted to edit,” he recalled.
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Brown explained that he and Bokaer had agreed on only a few criteria: that it would be five parts, that there would be a solo for Steele, and a duet as well.īecause the dance is shot in an almost documentary style - and practiced and performed over the course of the film - it becomes the overriding narrative of “Five Dances.” Brown admitted this strategy only truly emerged in the editing room. Brown didn’t want the choreographer to see the script, and the filmmaker made no comments on the dance. So when the idea of doing this came about, it was a lovely opportunity to work with him.”īokaer created the abstract dance for the film a week before shooting. Jonah Bokaer, the film’s choreographer and a former dancer for Merce Cunningham, Brown said, “has been a friend for 13 to 14 years. “I’ve always loved dance - modern and ballet.” “It was a spectacular opportunity to enter a world I would otherwise never be allowed in,” he explained. Over coffee at Doma Café in the West Village, Brown talked about what appealed to him about making this film.Īlan Brown captures the passion and allure of five dancers creating their art
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All of the actors are professional dancers, and most of them are making their feature film debut here. The other dancer, Cynthia (Kimiye Corwin), has been having an affair with the choreographer, Anthony (Luke Murphy). Katie (Catherine Miller) is a seasoned performer who takes care of Chip, while Theo (Reed Luplau) initiates a relationship with him. Chip (Ryan Steele) is an 18-year-old dancer from Kansas whose mother wants him to return home.